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Descent from the cross, 88x113 inches, oil on canvas

Descent from the cross, 88x113 inches, oil on canvas

Easter

April 11, 2020

About this painting, the artists comments:

Confidence in the ultimate success of Christ's Atonement can at times obscure our appreciation of the creativity, the courage, the risk, and the danger of the collaborative redemptive venture made by Jesus and the Father on our behalf in the actual moments that these events were unfolding. I do not want to diminish the terrible tragic courage that stretched beyond our ability to hope and apparently to the very limits of even Jesus' hoping.  The witnessed physical horrors of the political torture and execution of the Lord must have darkened the minds and hearts of all associated with Him far more than the lowering elements imagined here. I hope my depiction does not stand in the way of the depths of this shattering tragedy, but rather to draw out the difficulty of those moments that had to be traversed before the good news of the resurrection began to shine fabulously through the opening fissures of our fallen and broken circumstance.

It is very hard for us now to read about the events surrounding Jesus’ torture and death without the pain of it being diluted by the universal spoiler alert of the fabulous conclusion of the gospel narrative.  But they who went through it didn’t know it would turn out, not just “ok”, but unspeakably gloriously.  They labored over his lifeless body with no notion at all that this was going to work out well.  Their hopes were dashed and there was nothing for it but to provide as appropriate a burial as could be arranged.  There was sad work to be done and endured.  This moment in the narrative is important because of the time we ourselves spend on the “Friday” of our experience with no notion of how the “Sunday” ever can break through it.

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Read Brian's thoughts about creating, collecting, loving, and living art.


Featured Posts

Featured
02013_dog_paintings_women_medium.jpg
May 31, 2018
Collecting art
May 31, 2018
May 31, 2018
Commissions
Jul 6, 2017
Commissions
Jul 6, 2017

It's not that I never accept commissions (although that is almost actually true); rather when I do, the terms have to preserve my connection to the work. If this sounds tricky, it's because it is.

Jul 6, 2017
Interview with Gaspard Koenig and Brian Kershisnik
Sep 5, 2012
Interview with Gaspard Koenig and Brian Kershisnik
Sep 5, 2012

My paintings are religious to the extent that I am religious. I believe that one of the by-products of any artist's work is to reveal the interior "religion" of the artist

Sep 5, 2012

Blog Archive

  • June 2023
    • Jun 23, 2023 Request for help Jun 23, 2023
  • November 2021
    • Nov 22, 2021 What is your intention? Nov 22, 2021
  • July 2021
    • Jul 29, 2021 How true? Jul 29, 2021
  • April 2020
    • Apr 11, 2020 Easter Apr 11, 2020
  • May 2018
    • May 31, 2018 Collecting art May 31, 2018
  • July 2017
    • Jul 8, 2017 Useful place Jul 8, 2017
    • Jul 6, 2017 Commissions Jul 6, 2017
  • April 2017
    • Apr 6, 2017 Looking for something Apr 6, 2017
  • November 2015
    • Nov 23, 2015 Nativity: an essay Nov 23, 2015
  • April 2015
    • Apr 22, 2015 Advice for Artists: 5 Ideas from Brian Kershisnik Apr 22, 2015
  • June 2014
    • Jun 28, 2014 A general note about “She Will Find What Is Lost” Jun 28, 2014
  • February 2014
    • Feb 20, 2014 Mormon Essay Feb 20, 2014
  • January 2014
    • Jan 26, 2014 Painting God Jan 26, 2014
  • September 2012
    • Sep 5, 2012 Interview with Gaspard Koenig and Brian Kershisnik Sep 5, 2012
    • Sep 5, 2012 I Know I Don't Know What I'm Doing Sep 5, 2012
    • Sep 5, 2012 Stewardship and the Leak Sep 5, 2012
    • Sep 5, 2012 Various Exhibition Statements Sep 5, 2012
  • August 2012
    • Aug 28, 2012 About Brian T. Kershisnik Aug 28, 2012